![]() No complaints on Kajal Agarwal's work, but the innocence in her eyes is gone. His growth should have been slightly slow in the first few minutes allowing the audience to settle down with his character. Yet he is compelling when he speaks the truth. The thrills for the audience, amoral enjoyment arrives with every step that Surya (Mahesh) climbs, he has the uncanny ability to deceive, to lie convincingly on all scales, as though this was second nature. With little brawn and more brain he becomes a successful businessman, as crime is his business. The story is woven around a man who is hungry for power and grows by leaps and bounds to become a mafia don at a time when the competition is zilch in Mumbai. The film has no frills, no vulgar wastage and the hero is practically in every frame you hear only his voice, he looks good, sounds good, he also steals the comedian's job. The film benefits from other pre- release factors like Mahesh's super success of Dhookudu, Thaman's 'inspired'tunes that have already become a big hit and finally the lessons that Puri Jagannadh had learnt from his recent string of flops. He puts the passion of Neninthe, entertainment of Dhookudu and structure ofPokiri to churn out a story that really means business. ![]() It is a regular story but structurally, technically and content wise, the director makes no mistakes. The Businessman has a mix of action, image, dialogue and montage but what makes it entertaining is that all the above quantities are inextricably bound and linked together at every level with an admirably tight script. ![]()
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